The multidisciplinary showcase is on view June 5–22 at the Jan Shrem and Maria Manetti Shrem Museum of Art and features graduate students in art history, art studio, comparative literature, design, English, environmental science and policy, music and performance studies.

If we could start all over again, what would our food system look like? What would we want it to look like? And can we make that dream a reality? These are some of the questions the Thinking Food at the Intersections: Justice and Critical Food Studies seeks to explore in "Imagining and Enacting Just Food Futures” on May 30 – 31. The colloquium will bring scholars, activists, artists and chefs together with students and community members for a sensory rich, immersive experience imagining the future of food. 

Dylan Mulder is an award-winning industrial designer, lecturer, consultant and digital fabrication expert whose work encompasses product design, feature films and wearable technology. Mulder will give a talk titled “Weaving Heritage and High Tech: From Wearables to Movie Magic” on May 15 at the Jan Shrem and Maria Manetti Shrem Museum of Art.

Non-linear time sounds like something out of a science fiction movie, but what if we could rewrite our histories in ways that feel as if things don’t happen sequentially? Overlapping the concepts of time, memory and the body, Gracianne Kirsch uses many art modalities to explore their own many-sided self. 

From ancient sewing needles and woven baskets to wearable technology, textile production is a uniquely human endeavor. As part of a co-curated exhibit pulled from the Jo Ann C. Stabb Design Collection at UC Davis, "Textiles: The Art of Mankind," puts this shared history — and future — on display at the Fashion and Textile Museum in London.