Settler Attachments and Asian Diasporic Film is an interdisciplinary examination of the stubborn attachment of Asian diasporas to settler-colonial ideals and of the decolonial possibilities Asian diasporic films imagine. Beenash Jafri uniquely addresses the complexities of Asian–Indigenous relationality through film and visual media, urging film scholars to approach their subjects with an eye to the entanglements of race, diaspora, and Indigeneity.
Houri Berberian and Talinn Grigor offer the first history of Armenian women in modern Iran. Foregrounding the work of Armenian women's organizations, the authors trace minoritarian politics and the shifting relationships among doubly minoritized Armenian female subjects, Iran's central nodes of power, and the Irano-Armenian patriarchal institutions of church and political parties.
While it is clear what those attracted to fascism today are against, it is less clear what they are for. Not in the sense of how they want to remake society—this is usually clear enough. What is less clear is the fundamental values that are driving their desire to create a different kind of order.
Arab Americans contributed to strike practices we see as quintessentially American. In her book, Unmentionables: Textiles, Garment Work, and the Syrian American Working Class, Fahrenthold unravels the history of Lebanese, Syrian and Palestinian immigrants’ activism in the global textile industry and labor strikes.
Hip hop is a global form of creative expression. Situated at the critical intersection of sound studies and Afro-diasporic poetics, Break and Flow draws on years of ethnographic fieldwork and collaboration, as well as an archive of hundreds of songs by more than sixty hip hop artists.
In the Sun King’s Cosmos: Comets and the Cultural Imagination of Seventeenth-Century France presents an alternative view of a formative era in cultural and political history, when distinctly modern forms of power and control were established through a regime of the spectacular. Goldstein shows how comets allow us to see the seventeenth century in ways that complicate the narrative of a race toward rationalization, classicism, and modernity, indexing instead a messy period in which the spectacular was sometimes also inscrutable.
Teaching History in Higher Education offers instructors an innovative and coherent approach to their discipline, addressing the specific advantages that studying history can bring. Edward Ross Dickinson examines the evolution of methods and concepts in the discipline over the past two hundred years, showing how instructors can harness its complexity to aid the intellectual engagement of their students.
In The Habitation Society, leading economic and political sociologist Fred Block argues that we are at a time of “blocked transition” from one mode of economic and social organization to another. We now have a habitation economy because most people work at creating, maintaining or improving the soft and hard infrastructure of the communities in which we live. The problem, however, is that we do not yet have a habitation society since our economy continues to be organized through the structures, institutions and concepts of an industrial economy. While the old industrial economy is dying, the new habitation society cannot yet be born.
This book studies the life and thoughts of a sixteenth-century slave in India named Jawhar Aftabachi (d. after 1587), who served as the water-carrier for the Mughal Emperor Humayun (d. 1556), and chronicled his reign in a Persian text.
A powerful memoir of redemption from the son of blues legend John Lee Hooker
Born in Detroit and exposed to the music world from an early age, John Lee Hooker Jr. began singing as a featured attraction in his father's shows as a teenager. His father was a sharecropper's son who became known for hit songs like “Boogie Chillin,” “I'm in the Mood,” and “Boom Boom,” and in 1972, he and his father performed live and recorded an album in Soledad Prison. Junior seemed to have a golden ticket to a successful music career as a child, but trouble brewed as his father's marriage was in trouble and ripped apart the family.
